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Bud Cort

Bud Cort

Birthday: 29 March 1948, New Rochelle, New York, USA
Birth Name: Walter Edward Cox
Height: 175 cm

Bud Cort, American actor/comedian, was born Walter Edward Cox in New Rochelle, New York. The second of five children, he grew up in Rye, New York, the son of Joseph P. Cox, an orchestra leader, pianis ...Show More

Bud Cort
I loved Robert Altman. Even though we only made MASH (1970) and Brewster McCloud (1970), he offered Show more I loved Robert Altman. Even though we only made MASH (1970) and Brewster McCloud (1970), he offered me McCabe & Mrs. Miller (1971) and I had to turn it down to do Harold and Maude (1971). But I never got over working under his supreme command and imagination. I adored Hal Ashby - he let me go to the limit and beyond and was always there to catch me. Robert Dornhelm is a fantastic director. I recently did an uncredited role for Joel Schumacher in The Number 23 (2007) with Jim Carrey. I was fascinated by Joel's kindness and relaxation on the set and yet his eye was constantly focused like an eagle. Wes Anderson is a trip. He is his own planet, a real artist; I just think he has so much greatness to give. His potential is enormous and gleaming, just like his fabulous New York loft. Hide
I don't want no retro spective. I don't want no retro spective.
(Describing Barbra Streisand) She was nineteen-years-old and had these black Martian eyes. She sang Show more (Describing Barbra Streisand) She was nineteen-years-old and had these black Martian eyes. She sang like a bird and I thought she was the most gorgeous thing I'd ever seen. Hide
Santa Claus was one of my first heroes, no doubt about it. Santa Claus was one of my first heroes, no doubt about it.
(On Harold and Maude (1971)) And we shot every single word that was in that script. There was no imp Show more (On Harold and Maude (1971)) And we shot every single word that was in that script. There was no improvisation. ... But to sell it, I had to really live it. There were moments that were hard, but Hal Ashby was such a loving director. Hide
I was taken to county fairs and painted thousands of portraits every day. But it became too mechanic Show more I was taken to county fairs and painted thousands of portraits every day. But it became too mechanical -- I knew I had to express myself more. I dreamed of being an actor but never thought I could be one. Hide
I had no choice. I *had* to act. I could memorize anything plus I only felt comfortable and safe on Show more I had no choice. I *had* to act. I could memorize anything plus I only felt comfortable and safe on stage. And this was from nursery school to kindergarten and onward and continues up to this day. I played Darcy in "Pride and Prejudice" in the third grade! Hide
Age is like a coat that you can put on or take off. I prefer to not have that coat on. Age is like a coat that you can put on or take off. I prefer to not have that coat on.
(Describing why he feels Harold and Maude (1971) is a success) I think because it is totally timeles Show more (Describing why he feels Harold and Maude (1971) is a success) I think because it is totally timeless, reveals so much mystery and truth about the big questions of life, and contains two inimitable performances, if I do say so myself. (Though many have tried). Hide
(Describing the first time he met Groucho Marx) I had just gotten off the plane from New York City, Show more (Describing the first time he met Groucho Marx) I had just gotten off the plane from New York City, and I had hair down to my shoulders and a beard. I took a cab up to his house in Bel-Air, and the minute my fist connected with the door, the door opened, and there stood Groucho. He looked at me, his mouth flew open, he gasped and he slammed the door in my face. [Another guest, who knew Bud, opened the door and brought Bud in to introduce him to Groucho]. Groucho said, "I'm sorry. I thought you were Charles Manson". Hide
(Describing Harold and Maude (1971)) It was a genius script, written by Colin Higgins. Nothing was f Show more (Describing Harold and Maude (1971)) It was a genius script, written by Colin Higgins. Nothing was filmed that was not in that script. I knew immediately upon reading it that it would be a classic. Hide
Ever since Harold and Maude (1971), people have generally regarded me as an arbiter of weirdness. So Show more Ever since Harold and Maude (1971), people have generally regarded me as an arbiter of weirdness. So, I'll tell you what I find weird: I find malice, violence and poverty weird. But, more than that, I find Hollywood package deals weird. Agents are always sending me scripts and then reneging, telling me that I'm not Robert De Niro. Hide
I lived in a tepee in the living room, which already had a cathedral ceiling being English Tudor. I Show more I lived in a tepee in the living room, which already had a cathedral ceiling being English Tudor. I dreampt a lot. I drew. I was a bit of a child prodigy and would be taken to fairs, set up my easel and do 100 portraits. Later I took commissions from the Rye Art Store and made good money until I started to feel like a plastic surgeon with all the babes requests to remove age lines. I went to NYU and was supposed to be a scenic designer but I kept sneaking into acting classes. I was studying with the great Bill Hickey in my off time, playing a delivery boy on a soap opera and doing off-off Broadway. I had to make a choice. I chose acting. Hide
I was walking with Ruth Gordon to the set and I saw this dead squirrel. I said "Look at that!" so sh Show more I was walking with Ruth Gordon to the set and I saw this dead squirrel. I said "Look at that!" so she turns around and goes "Yech, why did you want to show me that?" I said, "I don't know". Hide
(Describing Groucho Marx) He was definitely one of my heroes. He inspired me so, still does. He gave Show more (Describing Groucho Marx) He was definitely one of my heroes. He inspired me so, still does. He gave me a lot of love, something I'll cherish forever. He also gave me his tooth, but that's another story. Hide
(On the death of Robert Altman) Bob was, in essence, a master painter and the depth and breadth of h Show more (On the death of Robert Altman) Bob was, in essence, a master painter and the depth and breadth of his art changed the face of film forever. His wildest talent was that he could look at you and see immediately what you were trying to hide. Hide
Artists pray for inspiration and when it comes, you can't divulge it or express it without someone t Show more Artists pray for inspiration and when it comes, you can't divulge it or express it without someone thinking you're crazy! Hide
It's funny...God makes us mad if we work and go mad if we don't. It's funny...God makes us mad if we work and go mad if we don't.
You're never fully dressed without a smile. You're never fully dressed without a smile.
Acting was a safe haven from the Sturm and drang at home. Theatre let me escape. Acting was a safe haven from the Sturm and drang at home. Theatre let me escape.
Bud Cort's FILMOGRAPHY
as Actor (95)
Bud Cort Bud Cort'S roles
Toyman
Toyman

John Doe Jersey
John Doe Jersey

Romero
Romero

Harold
Harold

The King
The King

Bill Ubell
Bill Ubell

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