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[16+] Eisenstein In Guanajuato
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[16+] Eisenstein In Guanajuato

Description
In 1931, following the success of the film Battleship Potemkin, Soviet filmmaker Sergei Eisenstein travels to the city of Guanajuato, Mexico, to shoot a new film. There he has a sensual experience that becomes a significant turning point in his life and career. 
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[16+] Eisenstein In Guanajuato
CRITICS OF "[16+] Eisenstein In Guanajuato"
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Boston Globe
Resource

February 18, 2016

The film's hyperactivity ultimately wears you down. Is it possible to give a movie Ritalin? "Eisenstein in Guanajuato" makes you want to try.
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Washington Post
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March 03, 2016

Fans of Greenaway's work - a mix of the brainy, the controversial and the grotesque - won't necessarily be surprised by any of this. They may, however, be disappointed at how little of it actually works.
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Little White Lies
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April 15, 2016

Formally dazzling, emotionally empty.
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The Arts Desk
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April 22, 2016

Eisenstein in Guanajuato certainly bursts out with a picaresque energy and voluminous scale that is as impressive as anything Greenaway has made in a long time.
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Ibero 90.9
Resource

May 06, 2016

The main character preferences, in the creative process of the portrait that builds Greenaway, is anything but conventional. [Full review in Spanish]
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San Francisco Chronicle
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March 23, 2016

To be sure, Greenaway's sensibilities may not be for everyone, but in the years to come, this is an artist whose work will be studied. It's a pleasure seeing him come out to play.
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Observer (UK)
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April 17, 2016

It's never quite as funny or stylistically insightful as it thinks.
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Arizona Republic
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March 03, 2016

Greenaway's madcap style involves quick cuts, scenes changing from black and white to color, split-screen effects and eye-popping visuals that tend to overwhelm. The effect is initially giddy but it ultimately wears the viewer down.
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Seattle Times
Resource

February 18, 2016

This interpretation may not be strictly factual, but it's a persuasive narrative and it brings out the strongest instincts in Greenaway, whose most popular movie remains "The Cook, the Thief, His Wife and Her Lover."
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Time Out
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April 11, 2016

A messy, hectic, fitfully amusing film-nerd farce.
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Brooklyn Magazine
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November 30, 2016

Greenaway's film suffers from an ability to reign in its own excess.
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