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Diary of the Dead
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Diary of the Dead
CRITICS OF "Diary of the Dead"
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Screen International
Resource

October 18, 2008

For Romero, someone who still retains respect and admiration for previous work, Diary of the Dead points to the realization that it is time to close the door on zombie movies and move to other horror subjects.
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Slate
Resource

February 17, 2008

Hardly top-drawer Romero. In fact, it may be his worst zombie film yet. But even bad Romero is a far sight more interesting than the coolly sadistic guts-porn that currently passes for mainstream horror.
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Time Out
Resource

March 07, 2008

Like the recent 'Cloverfield', Romero uses the kinetic immediacy of digital video shot on-the-run, but in a more sophisticated and disturbing way.
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Ozus' World Movie Reviews
Resource

July 17, 2009

A sly but low-level zombie movie for the YouTube crowd.
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eFilmCritic.com
Resource

May 08, 2010

In Romero's apocalypse, the brutish and soulless hold sway, and that's just the humans.
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East Bay Express
Resource

April 28, 2011

Not the best but certainly far from the worst of Romero's series of accounts of an epidemic of dead people coming to life to eat the living.
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ReelViews
Resource

June 10, 2008

Not only the most satisfying motion picture Romero has made in a long while, but one of the best of his career.
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CinePassion
Resource

August 27, 2009

Trenchantly implicates the media into the ongoing apocalypse that in previous Dead chapters already included family, capitalism, the military, class divides
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New York Times

April 14, 2008

It's clever, or at least clever enough to keep you going and interested from start to finish. It just isn't scary.
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Minneapolis Star Tribune
Resource

March 06, 2008

It's a shame to speak ill of the dead, but Romero leaves us no alternative.
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Washington Post
Resource

July 16, 2008

We want to high-five Romero for finding new ways to off his lifeless marauders.
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Stop Smiling
Resource

September 30, 2014

One needn't be a splatter junkie to miss Romero's marshalling of action across multiple theaters. But the maestro finds a way to slay intellectual and aesthetic antsiness with the same bullet.
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