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Harmonium
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Harmonium

Description
Toshio hires Yasaka in his workshop. This old acquaintance, who has just been released from prison, begins to meddle in Toshio's family life.
Release: 2016
IMDb: 6.9
Quality:
Duration: 120 min
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DIRECTORS OF "Harmonium"
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CREATORS OF "Harmonium"
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ACTORS OF "Harmonium"
Harmonium
CRITICS OF "Harmonium"
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Time Out
Resource

May 02, 2017

A compelling but relentlessly downbeat Japanese melodrama.
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AV Club
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June 15, 2017

By its unforgiving conclusion, Harmonium has plunged headlong into tragedy, but not quite in the way you might imagine.
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Observer (UK)
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May 07, 2017

Tsutsui's tightly coiled performance is particularly compelling, a fury burning beneath her wearied, accommodating exterior.
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Irish Times
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May 16, 2017

The softness and straightness of the performances obscure the monstrous melodrama underneath.
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Slant Magazine
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June 13, 2017

Throughout Harmonium, writer-director Kôji Fukada works in a rapt and lucid hyper-textural style that suggests a merging of the sensibilities of Alfred Hitchcock and Yasujirô Ozu.
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RogerEbert.com
Resource

June 16, 2017

If you treat Harmonium like a mood piece, and respond to it on that level, you'll find yourself thinking about it long after you watch it.
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Film Comment Magazine
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May 08, 2017

Rather than employ Harmonium's setup for humorous or bittersweet insights, Fukada distills the conceit into his most harrowing, tragic parable to date.
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New York Times
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June 15, 2017

This chilly tale of violent secrets and unvoiced misery relies heavily on the skill of actors who seem to know that one false move could tip the whole enterprise into comedy.
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Village Voice
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June 14, 2017

Just as in the best old-school, Cain-style noir, Fukada's film is eloquent about the fragile privileges of modern urban life and the hidden lies it can be built upon.
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San Francisco Chronicle
Resource

June 21, 2017

Fukada never resorts to melodramatics, and instead allows the carefully calibrated performances to give the movie its disquieting power.
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East Bay Express
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June 21, 2017

It shocks us long after we walk out of the theater, not with the short-lived scare of a jump cut or grisly image, but with something darker that lives quietly in the unexamined places of the soul.
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