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Hello I Must Be Going
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DIRECTORS OF "Hello I Must Be Going"
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Hello I Must Be Going
CRITICS OF "Hello I Must Be Going"
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Seattle Times

September 20, 2012

Lynskey lets us see, from deep within Amy's fog, an instinctual desire to please, and a sense of innocent wonderment at how she could possibly have gotten into such a mess.
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Washington Post
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September 21, 2012

Succeeds almost entirely on the strength of Melanie Lynskey's heartfelt and humorous performance in the lead role.
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Austin Chronicle
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September 28, 2012

The film is worth seeing for the performances, but the drama is a nonstarter.
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Shared Darkness
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November 01, 2012

A fine and funny film balanced perfectly between heartbreak and uplift, anchored by a rich, superlative turn from Melanie Lynskey.
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Salt Lake Tribune
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November 03, 2012

Lynskey imbues the self-doubting Amy with such lightness that she manages to make neediness appealing.
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Boston Globe
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October 18, 2012

The movie's sharp-tongued and softhearted, a Sundance kind of film that mostly sidesteps generic Sundanceyness.
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culturevulture.net
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October 02, 2012

I'm of two minds about Hello I Must Be Going. It's a slow-paced movie, and at times, too slow ... Yet the fine actors, especially the emotive-faced Melanie Lynskey and the restrained Blythe Danner, elevate the film well beyond its story line.
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Chicago Reader
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September 21, 2012

Sarah Koskoff's screenplay is flagrantly duplicitous, introducing the heroine as a self-pitying sloth, then trying to pass her off as likable by making nearly all the other characters drips, snobs, or unfeeling scolds.
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San Francisco Chronicle
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September 20, 2012

Sarah Koskoff's play-it-safe script and Louiso's heavy-handed direction combine to kill the potential of "Hello I Must Be Going."
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St. Louis Post-Dispatch
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October 18, 2012

"Hello I Must Be Going" is at once an intriguing character study and a refreshingly offbeat romance.
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Film School Rejects
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June 02, 2014

...a sincerely personal take on its subject matter, opting for three-dimensional leads and earned pathos over quirky character traits, cynical humor, or an invasively stylized visual approach.
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