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Kissing Candice
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Kissing Candice
CRITICS OF "Kissing Candice"
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The Young Folks
Resource

September 21, 2017

Freed from the constraints of shorter formats, McArdle rushes around her 102-minute runtime with all the curious abandon of a goldfish moved from a small bowl to a massive aquarium.
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Guardian
Resource

June 21, 2018

Towards the end, Kissing Candice loses narrative shape, but not before it has given its audience memorable, sensuous images.
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Irish Times
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June 21, 2018

It is to McArdle's credit that Kissing Candice keeps asks questions worth disentangling.
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Cinema Scope
Resource

September 29, 2017

The story goes from dumb to dumber, and never has a grip on Candice's opaque if intensely physical presence, let alone her character.
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Film School Rejects
Resource

October 02, 2017

For a film so assured, stylised and well-paced, [Aoife] McArdle has certainly made an impressive, and memorable, debut. Let's hope she has more stories to tell. Kissing Candice is not to be missed.
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Hammer to Nail
Resource

January 25, 2018

With its fractured, elliptical narrative, Kissing Candice uses its form to perfectly illustrate its content.
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Sunday Independent (Ireland)
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June 26, 2018

As is her wont, [writer/director McArdle] is intent on mood, with atmosphere, cinematography and soundtrack reigning over proceedings, but at the expense of the story.
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The Film Stage
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October 02, 2017

If nothing else its sense of dread is palpable throughout, the lighting and score simultaneously beautiful and panic inducing. It's best when wholly experiential.
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Film Ireland Magazine
Resource

June 22, 2018

The end result is a visual thrill and marks Aoife McArdle as one to keep any eye on.
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RTÉ (Ireland)
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June 21, 2018

It's enigmatic, transgressive and full of maverick visual flair but Kissing Candice may leave you looking for answers. Possibly McArdle's intention all along.
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Sunday Times (UK)
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June 26, 2018

Uncertainty in the storytelling during the final segment doesn't derail this brilliant debut, which is a visual treat that demands to be seen on the big screen.
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Eye for Film
Resource

March 01, 2018

The result is a film that's much more about mood than story.
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