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Marnie
Mark marries Marnie although she is a habitual thief and has serious psychological problems, and tries to help her confront and resolve them.
4 June 1936, Chicago, Illinois, USA
23 August 1907, New York, USA
19 April 1918, Washington, Pennsylvania, USA
7 January 1903, Birmingham, England, UK
23 September 1922, Hamilton, Texas, USA
22 March 1933, St. Louis, Missouri, USA
24 October 1917, Chicago, Illinois, USA
10 December 1923, Schenectady, New York, USA
21 June 1940, Weston, Connecticut, USA
5 November 1919, Cleveland, Ohio, USA
18 April 1956, Los Angeles, California, USA
6 February 1931, Plattsburgh, New York, USA
March 20, 2012
This remains a compelling Hitchcock thriller but it's Tippi Hedron's remarkable central performance which steals the show.January 01, 2000
At once a fascinating study of a sexual relationship and the master's most disappointing film in years.February 09, 2006
It's still thrilling to watch, lush, cool and oddly moving.March 20, 2012
A worthwhile watch for anyone who's ever enjoyed Hitchcock, but by comparison with his better known stuff it's an example style overtaking substance.January 02, 2013
professionally crafted film that focuses primarily on character developmentFebruary 07, 2014
A farsighted yet unassuming thriller with brilliant desires to deconstruct a human mind.March 20, 2012
Universally despised on its first release, Marnie remains one of Alfred Hitchcock's greatest and darkest achievements.July 11, 2012
Unfortunately, Marnie was released right after the masterpiece The Birds and comparisons were inevitable, but there's so much to admire about this work, textually, dramatically, visually.September 12, 2008
Marnie is the character study of a thief and a liar, but what makes her tick remains clouded even after a climax reckoned to be shocking but somewhat missing its point.October 30, 2001
Considered a misfire at the time, it now looks like late-period Hitchcock at his most Hitchcockian.September 21, 2015
Psychologically resonant, visually transcendent ...August 31, 2014
Hitchcock was criticised for bring shallow psychology into the film (Hedren's character is afraid of the colour red) but some of their exchanges - the film was based on a novel by Winston Graham - are sharp and droll.