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Strange Days
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Strange Days

Description
Former policeman Lenny Nero (Ralph Fiennes) has moved into a more lucrative trade: the illegal sale of virtual reality-like recordings that allow users to experience the emotions and past experiences of others. While the bootlegs typically contain tawdry incidents, Nero is shocked when he receives one showing a murder. He enlists a friend, bodyguard Mace (Angela Bassett), to help find the killer -- and the two soon stumble upon a vast conspiracy involving the police force Nero once worked for.
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Strange Days
CRITICS OF "Strange Days"
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ViewLondon

July 01, 2005

Engaging, genuinely thrilling sci-fi. Enough to make you wish Bigelow made a movie a year.
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Chicago Sun-Times
Resource

January 01, 2000

It's fascinating the way Bigelow is able to suggest so much of VR's impact (and dangers) within a movie - a form of VR that's a century old.
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Los Angeles Times
Resource

February 13, 2001

Though the creators of Strange Days may well be interested in its dramatic and thematic elements, they do not have the same touch for these moments as they do for camera pyrotechnics.
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EmanuelLevy.Com

December 02, 2006

Set in LA at the end of the century, this morality tales showed again the main problem in the director's work: The great divide between simlistic plots and technical sophistication. Even so, it's one of a kind for its use of color, sound and motion
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ColeSmithey.com
Resource

May 07, 2012

[VIDEO ESSAY] "Strange Days" owes a debt to Michael Powell's "Peeping Tom," the film that ruined his storied career.
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Ozus' World Movie Reviews
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January 26, 2018

Messy, dreary and repulsive slick near future sci-fi/film noir thriller that both dazzles and is bombastic.
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Globe and Mail
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April 12, 2002

Once the premise has lost its promise, and Fiennes's brave attempts at characterization are sacrificed to pseudo-dazzle, everything appears awfully humdrum and, yes, distinctly dated.
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Combustible Celluloid
Resource

April 16, 2007

[Bigelow] with the help of her talented cast, constantly wrestles against the script, and for a great deal of time, she appears to be winning.
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Rolling Stone

May 12, 2001

Undeniably thrilling and troubling.
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San Francisco Chronicle
Resource

January 01, 2000

Bigelow is so enamored of high-tech thrills, and so mesmerized by the violence she seeks to condemn, that her efforts at 11th-hour moralizing seem limp and halfhearted.
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Newsweek
Resource

January 18, 2013

Director Kathryn Bigelow comes closer than any other filmmaker to turning movies into a virtual reality trip.
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The ARTery
Resource

March 17, 2018

The movie went off like a landmine in Lincoln Center, traumatizing upscale audiences with its pulp semiotics and Bigelow's blunt-force filmmaking.
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