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The Canterbury Tales
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The Canterbury Tales
CRITICS OF "The Canterbury Tales"
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Film4
Resource

May 24, 2003

It can be hard going at times, especially with the post-production dubbing of sound and the blank, detached acting Pasolini demanded, but it also contains some very funny and superbly-shot sequences.
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New Times

April 28, 2004

Robust and smart, much like its more expansive source material.
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Q Network Film Desk
Resource

January 04, 2013

the brash, arguably campy manner in which Pasolini transcribes Chaucer's medieval bawdiness to the screen, coupled with the film's various technical faults (particularly the lousy dubbed dialogue), tends to make the film a chore to watch.
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TV Guide
Resource

October 23, 2007

After the formidable commercial success of his bawdy Decameron, Pier Pasolini applied the same formula to Geoffrey Chaucer's The Canterbury Tales with somewhat less appealing results.
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Not Coming to a Theater Near You

April 14, 2004

In contrast to the Italy of Pasolini's Decameron, the England of The Canterbury Tales is much more harsh in its treatment of vice of all kinds.
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Chicago Reader
Resource

October 23, 2007

If Pasolini had something more than grubby fantasy on his mind -- and presumably he did -- it isn't immediately apparent.
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