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The Silence of the Lambs
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The Silence of the Lambs
CRITICS OF "The Silence of the Lambs"
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Radio Times
Resource

February 22, 2013

This multi-Oscar-winning classic, adapted from Thomas Harris's bestseller, was responsible for giving cinematic serial killers a better image, thanks to Anthony Hopkins's enthralling portrayal of Hannibal Lecter.
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New Yorker
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August 12, 2013

Jonathan Demme's thriller is artful pulp -- tabloid material treated with intelligence and care and a weird kind of sensitivity.
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Orlando Sentinel
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August 12, 2013

Demme comes at Harris' material from another angle: His movie may deal with madness, but his perspective is mercifully sane.
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Quickflix
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July 23, 2013

Has any horror movie equalled it in the past 22 years? Perhaps. But if only one super-gory flick is ever considered worthy enough for the Academy's top prize, I'm fine with this being it.
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South Florida Sun-Sentinel
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August 12, 2013

As Lecter, Anthony Hopkins gives an astounding performance -- eery, menacing, creepy, believable.
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Tulsa World
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September 27, 2015

The Silence of the Lambs, with its dark Freudian subtext, its Poe-like air of foreboding and its chillingly gritty characterizations, is simply a very tough and very scary little movie.
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Seattle Times
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August 12, 2013

Jonathan Demme's hypnotic adaptation of the Thomas Harris novel has a seriousness and intensity that's been entirely lacking in horror movies lately.
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People Magazine
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August 12, 2013

The confrontations between Foster and Hopkins -- facing her from an ultrasecure cell -- are models of chilling intensity.
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Philadelphia Inquirer
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August 12, 2013

Hopkins' cumulative screen image is one of civility and decency, and the association adds to the withering, macabre effect of his murderer. It is a remarkably lucid portrait of lunacy.
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Chicago Tribune
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August 12, 2013

It's a gnarled, brutal, highly manipulative film that, at its center, seems morally indefensible.
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New York Daily News
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February 17, 2015

The movie, scary and graphic to cause timid souls (such as this writer) to close their eyes at certain points, has a vise-like grip on the audience.
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Antagony & Ecstasy
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July 10, 2016

An exquisite piece of filmmaking in which basically not one single thing goes wrong at any point.
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