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Tora! Tora! Tora!
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Tora! Tora! Tora!
CRITICS OF "Tora! Tora! Tora!"
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Scene-Stealers.com
Resource

December 15, 2011

Strictly for history buffs only, because it presents the story in the most dry way possible. It's like a History Channel re-enactment with all of the right aircraft carriers and airplanes.
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Reel Film Reviews
Resource

July 28, 2015

Directors Richard Fleischer, Kinji Fukasaku, and Toshio Masuda have infused Tora! Tora! Tora! with an excessively dry and deliberate pace that results in an almost interminable first hour...
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Chicago Sun-Times
Resource

October 23, 2004

Tora! Tora! Tora! is one of the deadest, dullest blockbusters ever made.
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7M Pictures
Resource

December 20, 2011

an interesting footnote in cinema history... though it's no less propaganda than the flag wavers from the 1940s
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TV Guide
Resource

May 15, 2012

The Japanese sneak attack that plunged the US into WW II is lavishly and fairly accurately, if not enthrallingly, brought to the screen.
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Film4
Resource

May 15, 2012

Expensive but ultimately rather empty.
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Time Out
Resource

June 24, 2006

The climax, in particular, manages to be more than just a shoot-out, with Fleischer's intelligent direction generating a real feeling of chaos and apocalypse.
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Movie Metropolis
Resource

December 29, 2011

The film looks gorgeous in HD, and remains the best Hollywood treatment of Pearl Harbor.
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New York Times

May 09, 2005

As history, it seems a fairly accurate account of what happened, although it never much bothers its head about why. As film art, it is nothing less than a $25-million irrelevancy.
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ReelViews
Resource

February 24, 2002

It's rare for a feature film to attain the trifecta of entertaining, informing, and educating.
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Variety
Resource

July 08, 2008

Both overall director Richard Fleischer and his Japanese counterparts do a dull job, and the monotonously low-key tone of scene after scene almost suggests that each was filmed without a sense of ultimate slotting in the finished form.
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Honolulu Star-Advertiser
Resource

December 20, 2012

Prior to "Tora!" movies showing the attack were jingoistic propaganda; afterwards, the attack was an excuse to indulge in Hollywood's fascination with American self-loathing.
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